الوليّ الطاهر يرفع يديه بالدعاء

الوليّ الطاهر يرفع يديه بالدعاء Novel pdf

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altaahir watar

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Arabic

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Literary novels

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Algerian writer. He was born in a rural environment and a Berber family belonging to the throne of the Harakata, which is stationed in a region that extends from Batna in the west (the Al-Maather movement) to Khenchela in the south, beyond Sedrata in the north, and in the middle is the city of Harakata: Ain Al-Bayda. The spoiler for a large family supervised by a grandfather married to four women, each of whom gave birth to several men with women and children as well. He worked in the Tunisian press: the Tunisian Parliament Brigade and the Appeal, which he co-founded, and worked in the daily Al-Sabah, and learned the art of printing. In 1962 he founded the weekly Al-Ahrar in the city of Constantine, the first weekly in independent Algeria, then in 1963 he founded the weekly Al-Majasir in Algiers, which was stopped by the authority in turn, to return in 1973 and establish the cultural weekly Al-Shaab, which is affiliated with Al-Shaab newspaper. The authorities stopped it in 1974 because he tried to make it a platform for left-wing intellectuals . He says that his chief concern is to reach the maximum that the bourgeoisie can reach in sacrifice as the leader of the great changes in the world. He says it is in itself a heritage. As much as attended by Pablo Neruda attended Mutanabi or Shanfari. He also says: I am oriental and have rituals in all areas of life, and the beliefs of believers should be respected. The writer worked in all fields and political activities, including collections of short stories, plays and novels, and he translated a number of Francophone works. Taher Watar's works are studied in various universities around the world and many messages are prepared on them for all levels.

Book Description

الوليّ الطاهر يرفع يديه بالدعاء novel pdf by altaahir watar

ذاكرة الولي الطاهر تستعيد صورا وأخيلة، عن وقائع جرت، لكن لا يميز، أو حتى يتصور زمن وقوعها، الأمس واليوم والسنة الماضية، والقرن الماضي، كلها، آنٌ, قد يصغر وقد يكبر، قد يطول وقد يقصر, قد لا يكون سوى ومضة, من ومضات حلم, أو كابوس. وميض. وميض. مناظر تتشكل، وتختفي. ها هي بلارة بنت تميم بن المعز تعاوده، كما خاض المعركة الفاصلة معها، وليس كمجرد رغبة، ظلت تدفعه في الفَيْف سعيا وراء لا شيء. الماضي، يغرق في الضباب. بل إنه يومض. نعم, الآن أتذكر جيدا. أتذكرها بلارة حبيبتي. جاءت لننشئ نسل كل الناس, فخفتها, شككت فيها, وظلمتها. يا للظن الإثم. أسلت دم حبيبتي فلحقتني ولحقتها البلوى. تحولت إلى أتون عضباء, لا يختفي أثر الجرح من أذنيها, ليمتص ذباب لعين, دمها, أركبها دون أن أدري أنني أركب روحي, ولما عرفت الحقيقة, ازداد عذابي وتضاعفت شقوتي. رباه عفوك, فما ظلمت إلا حرصا على دينك. وما فعلت إلا ما قدَّرتَ.

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